— Castellesi
Nardò is the second town of the Salento, a Baroque city in golden carparo stone within an irregular quadrilateral of sixteenth-century walls, with Piazza Salandra at its centre. Under the Acquaviva , dukes from 1497 , it became the principal cultural power of the peninsula — universities, academies, literary and philosophical study — and was called the Nuova Atene litterarum , the new Athens of letters.
And then, on the afternoon of 20 February 1743 , an earthquake of the ninth Mercalli degree brought a large part of it down. Everything a researcher does here is shaped by that date: the town standing today is the rebuilding, the patronal feast was moved to the anniversary, and the survival of anything created before it is a question rather than an assumption.
Earthquake locally, archival dispersal provincially
The local speech is Salentino, Neritino variety of the Ionian side.
The foundation legend has a bull scraping the ground until water sprang up, on the spot where the monumental fountain in Piazza San Domenico now stands. The documented town is Messapian in origin and appears as Neritum . Under the Normans the Basilian abbey was enlarged and the ducal palace built; the cathedral rose on the ruins of that Basilian church, Sancta Maria de Nerito , and still holds frescoes of successive centuries — a San Nicola and a Christ enthroned blessing in the Greek manner from the fourteenth century, a Virgin and Child of 1511 , a fifteenth-century Sant'Agostino — together with the Cristo Nero , a wooden crucifix dark from the cedar it is carved in.
From 1497 Nardò was a fief of the Acquaviva , dukes of Nardò and lords of the adjoining castle. Under them it became something unusual for a southern town: for two centuries it genuinely held one of the most important concentrations of learning in the Kingdom, with academies and higher studies, and the title Nuova Atene litterarum was not merely flattery.
The same family showed the other face of seigneurial power in 1647 , when Masaniello's revolt reached these streets. The count of Conversano , an Acquaviva, put it down with a brutality that entered the record: coming with armed men to his own rebellious Nardò, he hanged the mayor and many citizens .
Then the earthquake. A contemporary chronicle describes the afternoon of Wednesday 20 February 1743 with terrible immediacy: a day more like summer than winter; toward sunset a violent wind that astonished and terrified everyone, as though hundreds of carriages were running through the air together, such was the noise; the air darkened and seemed to give off fire; the water leapt in the wells; the sun was obscured. Then the ground shook, shook again, and finally moved like water boiling in a pot , and Nardò fell from its foundations. Oil, grain, furniture and household goods were ruined under the stones, so that in the years afterward such things were worth more.
How many died is genuinely disputed. The contemporary account gives 349 citizens, most of them children ; modern accounts give 150 and 112 . The shock reached the ninth Mercalli degree, its epicentre apparently in the Channel of Otranto , and it did serious damage at Francavilla Fontana, at Maruggio, and as far as Amaxichi on the island of Lefkada in the Ionian Sea.
The town rebuilt in Baroque. San Domenico , raised in the last twenty years of the 1500s by Giovanni Maria Tarantino and Gio Tommaso Riccio for the Dominicans and first dedicated to Santa Maria de Raccomandatis, was almost entirely destroyed and rebuilt to Counter-Reformation requirements, its carparo facade carrying garlands and putti. And in Piazza Salandra the citizens raised, at their own insistence , the Guglia dell'Immacolata : inaugurated in 1769 , nineteen metres of carparo on an octagonal pyramidal plan in five rising sections, with San Giuseppe, Sant'Anna, San Gioacchino and San Giovanni Battista at the base and the Immacolata at the summit.
In 1806 , with the abolition of feudalism throughout the Kingdom, Acquaviva power ended. After unification the citizens pressed for and obtained a municipal theatre, as other Italian towns were doing.
Castellesi hasn't made anything for this place yet. Requests are how we decide which comuni come next — every one is read, and the places people ask for are the places that get made.
REQUEST NARDÒ →belongs

Discover the beauty, culture and traditions of Lecce and its remarkable comuni.
EXPLORE LECCE →From the mountains to the sea, Puglia is a region of history, flavor and soul.
EXPLORE PUGLIA →From the passenger index
At least 23 people who gave Nardò as their home are recorded by name among Italian arrivals in the United States — each with the ship they sailed on and the day they landed.
A floor, not a total. The index covers arrivals through 1912, holds nothing between May 1907 and December 1911, and many passengers were written down with no home town at all. Where a name is there, it is there with its record.
Have Orso look for your family →The nearest major airport is Brindisi Airport.
Nardò sits inland from the Ionian coast, within long stretches of sixteenth-century walls tracing an irregular quadrilateral. It is a working town rather than a resort, and its centre is one of the finest Baroque squares in the Salento.
Start in Piazza Salandra with the Guglia dell'Immacolata of 1769 — nineteen metres of golden carparo, five rising sections, the Immacolata at the top — and the Palazzo del Sedile beside it, where the statue of San Gregorio stood on 20 February 1743. Almost everything you can see from that spot was built or rebuilt because of that afternoon.
Then the cathedral , on the ruins of the Basilian church of Sancta Maria de Nerito, for the medieval frescoes, the Cristo Nero and Buffelli's chapel of San Gregorio of 1680. And San Domenico , with its carparo facade of garlands and putti, rebuilt after the earthquake.
Out of the walls, the Acquaviva castle and palace; and beyond, the Arneo estate country running to the sea, with the marine frazioni of Santa Maria al Bagno and Santa Caterina .
If you can be here on 20 February , the hundred tolls of the clock-tower bell for the dead of 1743 are rung before the procession.
Archives and registers
Lecce holds 1809-1941 with a full set of series and both conscription lists and matricular rolls. For anything earlier, separate the 1743 earthquake from the provincial archive's dormancy after 1812.
Archivio di Stato di Lecce on Antenati
The holdings statement: the civil-status fond 1809-1941 with cittadinanza registers from 1866, and the Distretto militare di Lecce e di Taranto for classes 1844-1925 and Ufficio di leva for classes 1871-1942, with both lists and matricular rolls.
antenati.cultura.gov.itArchivio di Stato di Lecce - institutional history
Records that the provincial archive of Terra d'Otranto, instituted in 1812, did not function for twenty years, and that this caused the dispersal of much documentation on the county of Lecce, the principality of Taranto and the magistracies of the fifteenth to eighteenth centuries.
sast.beniculturali.itIl terremoto del 1743: il caso di Nardo
A study reproducing the contemporary chronicle of 20 February 1743, including the figure of 349 dead, most of them children, and the description of the damage to stored oil and grain.
academia.eduSan Gregorio Armeno, patrono di Nardo
Establishes from a notarial act of 1613 and an epigraph of 1618 that San Gregorio was patron long before the 1743 earthquake, corrects the common assumption, and gives the lower death tolls of 112 and the ninth Mercalli degree.
fondazioneterradotranto.itAntenati - browse the registers
Confirm which years and which series for Nardo are catalogued and imaged, and check Gallipoli, Copertino and Galatone in the same search.
antenati.cultura.gov.itThe journey does not end at the boundary of one comune. The province, the region and the neighbouring towns often hold the rest of the picture.
Your Roots. Their Story. Your Place.
Nardò is more than a place on a map. It is a part of you.
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